Ibi ilẹ acẹhin Tribeca. Ti a tun ṣẹda nipasẹ wHY Architecture

Nibi ti aṣa ile itẹwọgbà ti itan ni itẹdo ti igbalode, 64 White Street duro gẹgẹ bi anfani alailẹgbẹ fun akojọpọ, ol creator, tabi oníranlọwọ ti o niyeye apẹrẹ gẹgẹ bi ifihan idanimọ.

Ti a kọ ni ibẹrẹ ọgọrun ọdun 19 ati ti a tun ṣe ni ọdun 2018 nipasẹ onise ijinlẹ olokiki Kulapat Yantrasast, ọrẹ oludasilẹ ti wHY Architecture, ibi-ilẹ yi ti ṣiṣan ironi ni itumọ si galari oniruuru didara ile-ikawe — àyà àgbéyẹ̀wò fun aworan, aṣa, ati igbesi aye igbalode. Yantrasast, ti a ṣe ayẹyẹ fun iṣẹ rẹ pẹlu awọn ile-iṣẹ bii The Metropolitan Museum of Art, The Speed Art Museum, ati Louvre, mu apopọ aami rẹ ti iduroṣinṣin, ipin, ati imọlẹ wa si Tribeca.

Ninu, agbegbe atrium ti ẹẹdẹta mẹta nfa ina adayeba sinu awọn inu ile, ti a fi ọpa rigging ti a ṣe adani fun fifi sori ẹrọ monumental — pẹlu chandelier Jeff Zimmerman ti ẹẹdẹta mẹta. Igbòkè marble ti o fo, ti a ge ki o le lo ẹwà ni iṣipopada ailopin, so mẹta ipele aaye awọ: ile iṣafihan nla kan ni ilẹ akọkọ, mezzanine pẹlu awọn ọfiisi aladani ati awọn yara wiwo, ati ipele kekere kan ti o ni akopọ ti a ṣetọju, agbegbe ipade, ati suite idana.

Gbogbo alaye — lati awọn baluwe ti a ṣe adani nipasẹ Katie Stout ati Jeff Zimmerman si ibaraẹnisọrọ ti ironi ti a ṣan ati okuta ti o yipada — ṣe afihan ijiroro pipe laarin iriri ati imotuntun. Abajade naa jẹ ikede ile ti o ni ẹwọn bẹ́ẹ̀: ibi-ilẹ ti ironi ti a tun ṣẹda fun igbesi aye igbalode ati ipinnu ẹda.

Itan ijerisi oniru

Ti a kọ ni 1869 ati ti a mọ ni itan gẹgẹ bi The Grosvenor Building, 64 White Street ti a paṣẹ nipasẹ Matilda Grosvenor ni iranti ọkọ rẹ, Jasper Grosvenor, alabaṣepọ ni ile-iṣẹ ọkọ ayọkẹlẹ Rogers, Ketchum & Grosvenor. Ti a ṣe apẹrẹ nipasẹ onise ijinlẹ William W. Gardiner ni ara Second Empire ti o ni ẹwà, oju-ọna ibi-ilẹ yi ti ironi — pẹlu awọn kóómí-kóójúni, awọn pilaster Doric, ati ikoko ti o ni arched ti a kọ 'Grosvenor Building 1869' — jẹ aami ti o n ṣalaye era ile-iṣẹ Tribeca.

Ifipamọ aaye

• Atrium mẹta pẹlu ọpa rigging fun fifi sori ẹrọ ni iwọn nla
• Igbòkè marble ti o fo pẹlu ọgbọn idanfa to gbooro
• Awọn ogiri brick ti a fi funfun si ati awọn kóómí-kóójúni ironi atilẹba

Ipele

• Ipele opopona (3,300 SF): Ibi iṣafihan to gbooro pẹlu awọn ferese tobi ati giga ceilings ti 16’
• Ipele kekere 1 (1,785 SF + 545 SF): Ti o dara fun awọn ọfiisi aladani, awọn yara wiwo, tabi aaye showroom
• Ipele kekere 2 (2,518 SF + 406 SF): Akopọ, ipade, ati agbegbe idana pẹlu awọn anfani lilo ti o ni irọrun

Eto

• Awọn ọna ẹrọ, itanna, ati awọn eto HVAC ti a mu atilẹyin kẹhin

Awọn ẹya ara ẹrọ ile

• Oju-ọna ironi pẹlu 30 ẹsẹ ti iwaju
• Ti a ṣe apẹrẹ ni agbegbe ti a mọ ni Tribeca East Historic District

Awọn pato ohun-ini

• Gbogbo agbegbe: 8,554 SF
• Ipin: C6-2A
• Ẹka owo-ori: 4
• Ipo orientated fun lilo iṣowo ẹda

Ibi

Ti wa ni ilẹ laarin Broadway ati Church Street, 64 White Street n so ikanni kan ti o ṣe afihan ipasẹ ti Tribeca laarin aṣa ati igbadun igbalode. Ti wa ni ẹgbẹ awọn galari pẹlu Bortolami, Andrew Kreps, ati Anton Kern, adirẹsi naa wa laarin awọn ọna patapata, awọn ile ounje Michelin ti o ni irawọ, ati awọn ile iyasọtọ. Ninu agbegbe kan nibiti itan iṣelọpọ ati aṣa igbalode ti wa ni ikọlu, 64 White Street jẹ aṣoju mejeeji Ẹmi itan ti ironi ti a fi sẹhin ati iran ti ohun-iṣere igbalode kan.

A Tribeca Landmark. Reimagined by wHY Architecture

Where historic architecture meets contemporary artistry, 64 White Street stands as a rare opportunity for the collector, creator, or visionary who values design as an expression of identity.

Originally built in the 19th century and reinterpreted in 2018 by acclaimed architect Kulapat Yantrasast, founding partner of wHY Architecture, this cast-iron landmark was transformed into a museum-quality vertical gallery — a living canvas for art, design, and modern life. Yantrasast, celebrated for his work with institutions such as The Metropolitan Museum of Art, The Speed Art Museum, and The Louvre, brought his signature blend of precision, proportion, and light to Tribeca.

Inside, a thirty-five-foot atrium floods the interiors with natural light, anchored by a custom rigging beam designed for monumental installations — including Jeff Zimmerman’s twenty-five-foot chandelier. A floating marble staircase, cut so the veining rises in continuous motion, connects three levels of luminous space: a grand exhibition hall on the main floor, a mezzanine with private offices and viewing rooms, and a lower level featuring a curated archive, conference area, and catering suite.

Every detail — from bespoke bathrooms by Katie Stout and Jeff Zimmerman to the interplay of raw cast iron and refined stone — reflects a seamless dialogue between heritage and innovation. The result is a one-of-a-kind architectural statement: a cast-iron landmark reimagined for contemporary life and creative purpose.

Architectural Heritage

Built in 1869 and historically known as The Grosvenor Building, 64 White Street was commissioned by Matilda Grosvenor in memory of her husband, Jasper Grosvenor, a partner in the pioneering locomotive firm Rogers, Ketchum & Grosvenor. Designed by architect William W. Gardiner in the ornate Second Empire style, the building’s cast-iron façade—with Corinthian columns, Doric pilasters, and an arched pediment inscribed ‘Grosvenor Building 1869’—remains a defining emblem of Tribeca’s industrial era.

Spatial Composition

• Three-story atrium with rigging beam for large-scale installations
• Floating marble staircase with continuous veining
• Whitewashed brick walls and original cast-iron columns

Levels

• Street Level (3,300 SF): Expansive exhibition hall with oversized windows and soaring 16’ ceiling height
• Lower Level 1 (1,785 SF + 545 SF): Ideal for private offices, viewing rooms, or showroom space
• Lower Level 2 (2,518 SF + 406 SF): Archive, conference, and catering areas with flexible use potential

Systems

• Fully modernized mechanical, electrical, and HVAC systems

Architectural Features

• Cast-iron façade with 30 feet of frontage
• Landmarked within the Tribeca East Historic District

Property Specifications

• Total area: 8,554 SF
• Zoning: C6-2A
• Tax Class: 4
• Turnkey condition for creative commercial use

Location

Set between Broadway and Church Street, 64 White Street anchors a block that epitomizes Tribeca’s duality of heritage and modern luxury. Surrounded by galleries including Bortolami, Andrew Kreps, and Anton Kern, the address sits amid cobblestone streets, Michelin starred restaurants, and flagship fashion houses. In a neighborhood where industrial history and contemporary design converge, 64 White Street embodies both the historic soul of cast iron and the vision of a modern masterpiece.