| ID # | RLS20069489 |
| Àlàyé ohun-ini | 3 yàrá ibùsùn, 3 yàrá ìwẹ̀, 1 bàlùwẹ̀ kékeré, inú ilé: 2900 ft2, 269m2 (DOM): 361 days |
| Ọdún ìkọ́lé | 1920 |
| Ìsanwó ìtọju | $6,264 |
| Owó-orí (ọdọdún) | $81,168 |
| Ọkọ̀ ojú-irin abẹ́lẹ̀ | 1 Ìṣẹ́jú: 6 |
| 2 Ìṣẹ́jú: B, D, F, M | |
| 4 Ìṣẹ́jú: R, W | |
| 7 Ìṣẹ́jú: J, Z | |
| 10 Ìṣẹ́jú: C, E | |
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Ilé àtọka ti o ni ilé ijinlẹ ti o lẹwa, Residence 3D ni The Schumacher nfunni ni fere 2,900 ipa onigun mẹta ti a ṣe apẹrẹ ni pẹkipẹki ninu ọkan ninu awọn iyipada condominiomu ti o ṣe pataki julọ ti Manhattan ṣaaju ogun. Ti a tun ronu nipasẹ onise, Morris Adjmi, ilé mẹta-ọsẹ, mẹta ati idamẹta-ọsẹ yii ni a mọ nipasẹ awọn ogiri onigun ilẹ ati awọn ibùsọ terra-cotta ti o ga, awọn ferese arched ti o tobi, ati ipele ṣiṣe ọwọ ti a ko ri nigbagbogbo ni idagbasoke igbalode.
Ti o wa ninu landmark Romanesque Revival ti a kọ ni ọdun 1885 ni ọkan ninu NoHo, eyi jẹ ile fun awọn onibara ti o niye oniruru ile-èkó, iwọn, ati iṣọnamọna—ibi ti pedigree ati isiro ṣe pataki.
Galari igba ti o ni itọsọna ti o nira bi korido ti ina ti o wa ni ẹsẹ 39, ti a kọ pẹlu awọn ferese ti o wo ọkọ isalẹ ọgbà inu Schumacher ti a ṣe apẹrẹ nipasẹ Ken Smith. Iru ọna inu idakẹjẹ yii n fi imọlara irọra ati iyatọ si ilu, ti o n lọ ni irọrun sinu yara nla kan ti a ṣe fun diẹ ninu igbasilẹ ati ifamọra. Nibi, ọpọlọpọ awọn agbegbe ijoko ati jijẹ ni a wa ni ina adayeba nipasẹ awọn ferese arched mẹrin ti o jinlẹ, ti o ni awọn iwo eweko lori Mott Street—ohun ti a ti fi lọtọ ti ilu ti o mu igbo ati irọrun wa sinu ile ni gbogbo ọdun.
Ibi sise ṣiṣi jẹ ohun elo oniru ti a ṣe ni marble Calacatta, ti a da lori island omi ati ti a ṣe pẹlu awọn ẹrọ Sub-Zero ati Wolf ti o ga julọ, awọn ohun-elo ti a ṣe adani, ati imọ-ẹrọ ile-smart ti a ṣepọ. Ti a ṣe lati ṣiṣẹ gẹgẹ bi aaye sise onjẹ ati aarin ọrẹ, o darapọ mọ awọn aaye living to wa ni ayika laisi idilọwọ iworan.
Ibi ti akọkọ jẹ ile ikọkọ, nfunni ni yara ibusun ti o tobi ti 14’ x 20’ ati yara yiya ti a ṣe pataki ti 10’ x 20’—lilọ lọwọ ni igbalode loft. Ibi iwẹ ti o ni ferese ni iwọn spa ati iṣedede, ti o ni ibujoko, iwẹ, ati vanity meji ti a ṣe ni awọn ohun elo ti o daṣeyọ. Awọn yara mẹta afikun, ọkọọkan pẹlu awọn ogiri ti o ga ati awọn iwo ọgba, tun ni ilọsiwaju daradara pẹlu awọn iwẹ en-suite. Yara kẹta ti a ṣe akiyesi ni ipo to pe nfunni ni ipamọ diẹ sii, o dara bi iyalo alejo, studio, tabi ile-ikawe.
Ninu ilé naa, gbogbo alaye ṣe afihan ifaramọ ilana si awọn ohun-elo ati iṣẹ-ọnà: awọn ilẹkun panel marun ti a fi okùn awọn ẹsẹ 8 pẹlu awọn irin onafunmọ dudu, iṣẹ- ọwọ ti a ṣe pataki, awọn ohun elo atọwọda ati awọn vanities, ati awọn ayika ferese dudu ti a fi pamọ ho ni awọn ilẹ ti okùn adayeba, pẹlupẹlu awọn afẹfẹ atẹgun arin ti ko ni ariwo. Awọn eroja wọnyi ṣẹda ede ile ti o ni ifaramọ—kekere, titele, ati ti o yé.
Ni akọkọ ti a kọ ni 1885 gẹgẹbi ile itẹwe lithographic fun Schumacher & Ettlinger ati ti a ṣe apẹrẹ nipasẹ Edward E. Raht, facade itan ile naa wa ni aabo pupọ, ti o ṣe pataki nipasẹ iṣẹ brick ti o ni konbo, awọn ṣiṣi arched, awọn tubo, ati alaye ornamental. Loni, o duro bi condominium boutique ti o ni awọn ile 20 nikan, ti o dapọ ṣiṣẹpọ ti awọn ohun-elo 19th-pẹlu imọ-ẹrọ igbalode. Nikan 3 awọn apakan pẹlu ilana ilẹ ti o ni idaṣe to dara wa ni ile yii.
The Schumacher nfunni ni iriri igbesi aye ti a fọwọsi, pẹlu ibi-ọkàn ti o duro 24-wakati, ile-ikawe ti awọn olugbe ti o wo ọgbà eserese inu, ile-idaraya ti o ni iwọn 750-square-foot, yara ere ti awọn ọmọde ti o tobi, ibi itọju ti a tẹdo, yara keke, ati ọgbà oke pẹlu eroja ti o ṣe apẹrẹ nipasẹ Ken Smith—ti n pese ile-itaja ti o ni irọrun, ti o ga ni aarin Manhattan. 3D wa pẹlu wọnni ibi itọju ikọkọ ti o tobi.
Residence 3D jẹ fun awọn onibara ti o n gba ile-èkó, ti o niye ilowolọwọ alaafia, ati ti o wa fun residence ti a mọ nipasẹ ifojusi ile-èkó ati agbara, ati itọkasi ti Yuroopu ni New York.
Akiyesi: Awọn owo-ori awọn ohun-ini gbọdọ ṣe afihan owo-ori lapapọ, ti a ko lọ. Ibi ọgba ti a fihan lori apẹrẹ ilẹ jẹ lati fi han apẹrẹ ile ti ile naa. Ko le wọle tabi lori ipele kanna bi apakan naa.
A collector-grade loft of rare architectural integrity, Residence 3D at The Schumacher offers nearly 2,900 square feet of meticulously designed interior space within one of downtown Manhattan’s most significant prewar condominium conversions. Reimagined by architect Morris Adjmi, this three-bedroom, three-and-a-half-bath residence is defined by soaring barrel-vaulted brick and terra-cotta ceilings, monumental arched windows, and a level of craftsmanship seldom achieved in contemporary development.
Set within an 1885 Romanesque Revival landmark in the heart of NoHo, this is a home for buyers who value architectural authorship, volume, and discretion—where pedigree and proportion matter.
A gracious entry gallery unfolds as a 39-foot corridor of light, lined with windows overlooking the Schumacher’s lush interior garden designed by Ken Smith. This tranquil passage establishes a sense of calm and separation from the city, leading seamlessly into a voluminous great room composed for both living and entertaining. Here, multiple seating and dining zones are bathed in natural light through four deep-set, oversized arched windows with leafy outlooks over Mott Street—an intentionally framed urban landscape that brings greenery and texture into the home year-round.
The open kitchen is a sculptural composition in Calacatta marble, anchored by a waterfall island and outfitted with top-tier Sub-Zero and Wolf appliances, custom cabinetry, and integrated smart-home technology. Designed to function as both a culinary workspace and social centerpiece, it blends seamlessly into the surrounding living spaces without visual interruption.
The primary suite is a private sanctuary, offering a generous 14’ x 20’ sleeping chamber and an exceptional 10’ x 20’ custom dressing room—an uncommon luxury in downtown loft living. The windowed en-suite bath is spa-scaled and serene, featuring a soaking tub, shower, and double vanity executed in refined materials and proportions. Two additional bedrooms, each with soaring ceilings and courtyard views, are equally well appointed with en-suite baths. A thoughtfully positioned third bedroom offers added privacy, ideal as a guest suite, studio, or library.
Throughout the residence, every detail reflects a disciplined commitment to materiality and craft: 8-foot oak-clad five-panel doors with matte black steel hardware, tailored millwork, custom cabinetry and vanities, and blackened steel window surrounds paired with natural oak floors, as well as whisper-quiet central air conditioning. These elements create a cohesive architectural language—subtle, tactile, and enduring.
Originally constructed in 1885 as a lithographic printing house for Schumacher & Ettlinger and designed by Edward E. Raht, the building’s historic façade remains richly intact, distinguished by corbelled brickwork, arched openings, turrets, and ornamental detail. Today, it stands as a world-class boutique condominium of just 20 residences, seamlessly blending 19th-century craftsmanship with modern infrastructure. Only 3 units with this gracious floor plan design exist in the building.
The Schumacher offers a discreet full-service living experience, including a 24-hour attended lobby, a residents’ library overlooking the interior sculpture garden, a 750-square-foot fitness center, a large children’s playroom, refrigerated storage, bicycle room, and a landscaped rooftop garden—also designed by Ken Smith—providing a rare, elevated outdoor retreat in the center of downtown Manhattan. 3D comes with a large private storage unit.
Residence 3D is for buyers who collect architecture, value quiet luxury, and seek a residence defined by architectural intention and mastery and a flavor of Europe in New York.
Note: Real estate taxes reflect full, un-abated taxes. Courtyard shown on floor plan is to display architectural layout of the building. It is not accessible or on the same level as the unit.
This information is not verified for authenticity or accuracy and is not guaranteed and may not reflect all real estate activity in the market. ©2025 The Real Estate Board of New York, Inc., All rights reserved.







